In 1999, Műcsarnok
and Soros Center C3 organized an exhibition on media art which was focused
on the evolution and changes of representation based on perspective,
the makers of the CD-ROM inform us right at the opening image in a spare-styled,
short paragraph in which hypertext links flash. Yet, clicking on the
first link the surface gets out of control, spinning images burst onto
the screen, and the user goes on clicking and dragging the cursor really
desperately to stop this dizzy motion but cannot help it. At last he
notices something shining faintly on top of the screen that he takes
for the menu but the words 'up' and 'on' are so strange. If 'up' takes
him back to the opening image then 'on' is what remains, he assumes
and, indeed, he has entered the heart of the labyrinth, the inside of
the CD-ROM. The trial is worth the prize, there are moving images of
historical devices used for illusion-making (in chapter Perspectiva
Practica), Cesare Ripa's treatise from the Renaissance and Miklós
Peternák's updated version, a collection of links, the history
of perspective through a series of representations, engravings, and
drawings from the 19th century, as well as, a room for beginners which
smartly illustrates the keywords of perspective. The display of the
contemporary art show is still less inventive than the navigation engine
of the CD-ROM: clicking on the chosen artist one scrolls down the scroll
bar blindly on the dark screen since to make the work (or part of it)
visible one must drag the cursor to the place where the image should
be but isn't.
(web)