ILLUSTRATIONS
Pages from the catalog
Desaparecidos Políticos de Nuestra América,
Asociación Uruguaya de Artistas-Correo / SOLIDARTE, Montevideo, Uruguay, June 1985
Comment: This project serves as a crucial intersection between Mail Art and human rights activism in Latin America. Originally compiled by the Mexican group SOLIDARTE for the 1st Havana Biennial (1984), where it received a Special Mention, the collection traveled to Uruguay in 1985. The Uruguayan iteration was presented at the PIT/CNT local in Montevideo, coordinated by the Asociación Uruguaya de Artistas-Correo under the leadership of Clemente Padín.
The project focuses on the "Desaparecidos" (the disappeared), addressing the state-sponsored violence and forced disappearances prevalent under military dictatorships in the region. By using the Mail Art network, the organizers bypassed state censorship to create a visual archive of solidarity and denunciation. The publication includes works that utilize political iconography, such as the vulture (condor), barbed wire, and the silhouettes of the missing.

Cover: The cover features a concrete-poetry-style layout of the project title and logos of the participating organizations: SOLIDARTE (Mexico), PIT-CNT (Uruguay), and AUAC (Asociación Uruguaya de Artistas Correo).

Works by: N. N. Argañaraz (Uruguay), Paulo Brusky (Brazil), Blanca Noval (Mexico), Carmen Medina (Mexico).

Works by: Arnold Belkin (Mexico), Bene Fonteles (Brazil), César Espinoza (Mexico), Clemente Padín (Uruguay).

Works by: Gregorio Berchenko (Chile), Lucio Kume (Brazil), Guillermo Deisler (Chile), Luis Arteaga (Mexico).

Works by: Leonhard F. Duch (Brazil), Joaquín Branco (Brazil), Leticia Ocharán (Mexico).

Text detailing the exhibition history, the involvement of the group SOLIDARTE de México, and the local support from Uruguayan human rights organizations including Madres y Familiares de Detenidos Desaparecidos and AEBU. It concludes with the contact address of Clemente Padín in Montevideo.