Mail Art Chro No Logy

ILLUSTRATIONS
Pages from the catalog
Mail Art — Annual of AD Productions in Japan '88,
Rikuyo-sha Publishing, Tokyo, 1988. (Ed.: Kyoji Nakatani. Essay: Shigeo Fukuda. Photo: Masanobu Fukuda)

Mail Art — Annual of AD Productions in Japan '88 is a landmark publication documenting the state of the mail art network as it existed within Japan in the late 1980s, produced by Rikuyo-sha Publishing (六耀社) in Tokyo. Conceived and planned by Kyoji Nakatani, the volume brought together approximately 51 leading practitioners of mail art active in Japan at the time, presenting their work—ranging from stamped envelopes and artist-made objects to three-dimensional postal sculptures and Artistamps—through high-quality color photography by Masanobu Fukuda.

The publication is unique in the mail art field for its design-world orientation: Rikuyo-sha was a prominent Japanese publisher specializing in graphic design and advertising annuals, and the volume situates mail art within the broader visual culture of late-Shōwa-era Japan. An essay by the celebrated graphic designer Shigeo Fukuda, titled "Three Episodes on Mail Art: A Monologue by the Right and the Left," anchors the volume theoretically, reflecting on the postal system as an artistic medium and the role of correspondence as creative communication.

The copy preserved in the Artpool archive bears a handwritten dedication in English and Japanese on the front flyleaf: "For Peter & Angela, from Kyoji Nakatani, 1991.8.8" — indicating that the volume was personally gifted by the organizer, Kyoji Nakatani, to Peter and Angela Küstermann who kindly donated it to Artpool in Budapest.

The catalog is not only a survey of Japanese mail art practice at the close of the 1980s but also an important cross-cultural document, reflecting the genuinely international character of the postal network even as it presents a distinctly Japanese perspective on the medium.


Cover


Cover


Cover


Work by Mariko Ave: A model airplane (50 x 45 cm) wrapped entirely in airmail-patterned paper, covered with historical portrait postage stamps (including Martin Luther King, Hawthorne, and others). The caption reads: "A plane wrapped in paper with red and blue stripes, arrives carrying on board historical celebrities."


Work by Takahisa Kamijo: A folded letter-form construction, 34 × 22 cm, a carbon paper inserted between two blank sheets. The piece unfolds to reveal postal markings and stamps.


Works by Shizuko Hino. Two toy train-shaped wooden sculptures, painted blue and dark green respectively, decorated with postage stamps from various countries and bearing mailing address labels.


Koji Takeshima: A wooden doll-like construction (21 × 20 cm) assembled from timber blocks, with a postcard affixed and stamps, described as "A wooden doll conveying a message through stamps and labels."
Yo Ukai: A paper clay doll, described as "A doll made of paper clay, pasted and varnished. Though its neck is broken along the way, the heart's message is conveyed safely." The doll holds a small pink heart reading "FOR ANNUAL of AD PRODUCTION IN JAPAN" and bears the Rikuyo-sha address label.


Shozo Shimamoto: Two interlocking rings of cut-out corrugated cardboard.
Kazuyoshi Lino: A bird nest kind of object.


Work by H.R. Fricker


Work by Tadahiko Ogawa. A single slice of toast, 12 × 10 cm, with a scorched spiral eye motif burned into its surface, presented as a mailed object.

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