
Cover of the monograph, published by Edizioni Giulia. The cover photograph depicts Laura Cristin Sheren wearing her characteristic Venetian tricorn hat amid swathes of aquamarine polyethylene fabric — a recurring material in her performances. The image is attributed to Giancarlo Da Lio.


Pages 14–15 of the monograph. Opening spread of Laura Cristin Sheren's autobiographical essay "Laura Cristin Network," recounting her entry into the mail art network in Spring 1998 through Piermario Ciani (Bertiolo, Udine), her first journey to Minden (Germany) to meet Peter Küstermann and Angela of Netmail, and her subsequent participation in MekkaMinden and the Ambasciata della Poesia by Giancarlo Da Lio and Tiziana Baracchi in Venice. The text introduces key network figures including Dawn Redwood (London), David Jarvis, Ilkka-Juhani Takalo-Escola, Elizabeth Larsen, Karl Friedrich Hacker, and Adam Nankervis. Identifiable persons and network figures mentioned: Piermario Ciani, Peter Küstermann, Angela (Netmail), Giancarlo Da Lio, Tiziana Baracchi, Dawn Redwood, David Jarvis, Ilkka-Juhani Takalo-Escola, Elizabeth Larsen, Karl Friedrich Hacker, Adam Nankervis.


Pages 16–17 of the monograph. Continuation of Laura Cristin Sheren's essay, describing her SHEren's 50! birthday mail art call, her intervention at Brandenburger Tor (Berlin, with Giancarlo Da Lio and Otto Sherman), the performance "Just Life" preparations in New York (with Joel Cohen, "The Sticker Dude"), and a philosophical reflection on the decalogue of mail art — no jury, no selection, no racism. The text also references MailArtWave 2022 and the musician-mail artist Dario Della Rossa. Identifiable persons and network figures mentioned: Otto Sherman, Joel Cohen (The Sticker Dude), Giancarlo Da Lio, Sylke Hasenfuss, Dario Della Rossa.


Pages 18–19 of the monograph. Continuation of the essay, focusing on Laura Cristin's collaborations with the London Biennale and David Medalla (Venice Biennale 2017), and a critical reflection on Peter Küstermann's Büz workshops as a model of participatory mail art practice — including sessions with young Syrian refugees. References to Raffaella Losapio and a discussion of the ethics of community in mail art. Identifiable persons and network figures mentioned: David Medalla, Peter Küstermann, Joel Cohen, Raffaella Losapio.


Pages 20–21 of the monograph. Final section of Laura Cristin Sheren's essay, signed "March 25th, 2022." Recounts a performance on the island of Ponza (connected to the exhibition Lo Stracquo), pandemic-era reflections on mail art and the decalogue, an exchange with Sylke Hasenfuss (photographer, Bremen) around MailArtWave 2022, and the role of music and sound — particularly Dario Della Rossa — in breaking boundaries between languages and art forms. Closes with a meditation on friendship, nature, and the gift economy of the network. Identifiable persons and network figures mentioned: Sylke Hasenfuss, Dario Della Rossa, Sherena Velella, Patrizia.

Pages 28–29 of the monograph. Double-page spread with two documentary photographs of performances by Laura Cristin Sheren.
Left (p. 28): "2009 at Netmail Festival in Minden, Germany, ph. Dawn Redwood." Laura Cristin wearing her signature tricorn before the Netmail banner.

Right (p. 29): "2021 triptych with Tarotensigns V (PopeS) and XVII (Star) at the side and picture from a performance in Venezia, ph. Giancarlo Da Lio." Laura Cristin amid two large blue Tarot paintings in the open air of Venice–Mestre. Identifiable persons: Laura Cristin Sheren. Photographers: Dawn Redwood (p. 28), Giancarlo Da Lio (p. 29).

Pages 30–31 of the monograph. Double-page spread with two documentary photographs of performances.
Left (p. 30): "2014 performance for Raymond Roussel at Père-Lachaise, Paris, ph. Paola Daniele." Laura Cristin and companions performing with aquamarine polyethylene fabric and painted panels at the grave of Raymond Roussel. A bit more info on the annual memorial events there by Gianni Broi.

Right (p. 31): "2012 performance 'Just life' in Coney Island, New York, ph. Enzo Paviotti." Laura Cristin with a blue polyethylene veil on a boardwalk stage by the ocean, with American flags in the background. Identifiable persons: Laura Cristin Sheren. Photographers: Paola Daniele (p. 30), Enzo Paviotti (p. 31).