(1) How long have you been making installations?
Because this is the best way I've found to present my research artwork "TERRA BRASILS".
My work is a rescue of ancient forms of Brazilian Indigene Iconography.
The main difference is that people are properly touched in their sensitive powers.
Traditional artworks can be used as a complement of an installation and vice versa.
The material and sizes will be determined by purpose of the installation.
The largest one: fences across the USA, by Christo; the smallest one: the rising bone of Marchel Duchamp by Ronald Sperling.
The environment can be used as a changing part of an artwork for special effects even in an installation.
It depends on the installation. We have the media to preserve an installation.
Yes, in accordance with the effects the installation makes and the feelings it brings.
Just like to literature,
music and similars.
Ronald SPERLING (BR)