(1) How long have you been making installations?
Since 1986.
(2) Why did you choose to make installations and not anything else?
Because pigs rule the world, I choose installations/pig shows/exPOPORC(s) in Europe and mail art instal' + artistamps instal' + painting instal' + sculptures instal' + photos instal' + posters instal' + etc...
(3) What do you think of your own works?
I must always improve... for that, I work/create every day.
(4) What do you think the difference is between your own work and other installations?
It's about pig and human piggery - 2 legs pigs - viva Dada. Hommage a Otto Dix, Georg Grosz.
(5) What do you think of the relationship of traditional artwork and installation?
It's complementary.
(6) What is the size and material of an installation determined by?
+- 300 a 600 m2...; glass frames/glass vitrines/frames glass table/etc...
(7) Could you mention the installation you consider to be the largest and the smallest one?
Largest: 600 m2 or more or... Smallest: one wood box as in Hyde park corner or one table or...
(8) Is there any object or idea that cannot be installed?
No, everything is possible.
(9) How does environment affect the installation of the work?
From cause to/and EFFECT(s).
(10) Do you know any fact that restricts the possibilities of installation?
Censorships! Everything is possible. Money.
(11) Do you like making installation for order or at request?
Both.
(12) What do you think of preserving an installation?
It's almost very important, of course.
(13) Can the value of an installation be estimated and how?
Yes... it depends.
(14) How does copyright apply to installations preserved only in documents?
No copyright, no fees, no elitism, no jury only exchange, help, fraternity.